Monday, October 21, 2013

Founding Germany on Culture

The founding of a single German nation seemed to be inevitable looking back at its history. So many of the regions in the Holy Roman Empire were German speaking that a unique culture was bound to form. Also with all the turmoil that was happening within “Germany,” it made sense that people were ok with breaking off and becoming their own state. However, the most interesting aspect is that Germany culture existed before Germany was founded. Composers had a German style, there were German intellectuals meeting—all without actually belonging to a German state.
von Seckendorff
                Germany did not come to geographical existence for years even though it basically existed in an intangible sense. Schulze explains that Ludwig von Seckendorrf, a political philosopher, said that “a ‘German nation’ existed in the political sense, but conceded that it was difficult to describe and that many other nations existed within it on lower levels” (Schulze 86). So there was a German culture established in politics yet it was not a single nation for a long time. This is interesting because having one German language helped give way to this phenomenon which resulted in uniquely German academia and art. Schulze says, “Pan-German literature, drama, and opera created a unified opinion and taste that extended across the borders of the German territorial states” (Schulze 89). With a common language and culture, what else would happen next but an official country forming?
                My whole life I’ve had a passion for music. During the period of peace called “Biedermeier,” art really took off. Music especially grew into the German legends we know and love today. Of course I’ve always known a little about Ludwig van Beethoven but I was not aware he was popular when Germany was not even officially a country yet. Also, Schubert and Mendelssohn who are immensely popular composers today over 200 years later.
Beethoven
Schubert
Mendelssohn


Architecure also took off (and I expect we will see some of this in Germany) which is also interesting. The way Schulze describes the style makes it even more intriguing: “In architecture, the classical style was exemplified in the clear forms and proportions […] although already threatened by an antiquarian approach that saw beauty in anything that looked old and had a whiff of history about it” (Schulze 114). This had many buildings restored as well. But how interesting that history in architecture was already valued in a time we deem to be history itself?


                Between the conflicts and the hunger, the language and the art, all arrows pointed towards Germany coming into geological and official existence. It is amazing that a culture already existed with a patriotic air without Germany being founded for a few more decades. All the pre-existing culture and single language only create a more unique identity for Germany today, though. What we consider “German” now was just inklings of what was to come back when it was started. That knowledge is not realized by many even though it is incredibly important to German identity because without it and the work of those who created it all, there would be no “German.”